For expediency Sound Mutilation Agency calls the fact that I was tortured and burned with dangerous chemicals as a child, organized in the Trump/Burstyn war script being grabbed for by men like Tom O’Neill, a likely dacoit of Ringo, the perpetrator, a cultural norm and smothers it in the hatreds that spew without provocation from the exterminator faction at the Dakota. The script refers several times to West, supposedly Anne West, and has a drawing of the chemical agent they “nearly killed me” forcing me to “diecide” to “swallow”, while still a child. O’Neill establishes that another West worked on Ruby, was in MK Ultra (MK are the initials of Reagan’s LSD smuggling Israeli attorney in the staged drama, a notorioius slanderer), and was implicated in the rape and murder of a 3 year old, the accused sent to death of whom insisted he was innocent. O’Neill created the sinister idea that Ringo wants to use to justify insane depravity, theft, poison and murder, the sick idea that I am a closet danger to children.

Bush exampled me through the CIA and may have even had the consent of my father. Trump wanted a liberal symbol to “RAM”. The Israelis used the weapon of my psyche for surgical strikes by the AIDS attackers to humor the afflicted in an operation called HURDLE. Symbols are the essence of Swami Nostra and my symbolism as a little boy from a WW2 ship in the Navy which both my father and Bush were on, brought snickers to Bush when Ono contracted for my birth to example as a sacrifice. Given these factors, and knowing that Wecht was wowing Ralph Proctor, Ramsey was probably killed as a symbolic white, a surrogate Trump, in voodoo to protect him, much as Tony Levin kept insisting drinking blood and semen, with which his gang repeatedly poisoned my drinks, was the only way to save me from the curse of Ono, vengeance of Shiono, to put in script speak.

The obvious assassination of Saoirse by this Warhol guerilla faction was not even lost on the Kennedys.