The gang who poisoned my mouth included a Lennon obsessive code-named Lister. The pyromaniacal gyrations that define in King Crimson what Lister calls their flamboyant musical pissing contests are numerated by the fatigued crafty guitar imitators responsible for the recent massacre of our grannies as hard get treated to his ruthless dismissiveness as he tutters that he supposes. Likewise explanation for his Snuff Film kills.

If you try from sense and reason to explain the murder of Saoirse by that Warhol Gang he hired to defend Gail Burstyn and John Shulman through WQED in Pittsburgh with the help of Colin Powell it jingos like McCartney’s immoral manical mania that it really doesn’t matter if they’re wrong they’re right because the reason it doesn’t make sense is that it does make sense, to them, which is to say that it makes sense to them is the only thing about it that doesn’t make sense. However if you start from the ascertainable truth that they did murder her, then it is easier to understand. The cart, mysteriously, follows the horse.

To see this clearly you need to work with an unfamiliar fact and a few familiar ones. The unfamiliar fact is jinx theory. It’s not my theory. It doesn’t pertain to any of this analysis excepting that it is regarded as a Higher Law by Tony Levin, King Crimson’s poisonous bass player. Jinx theory holds that anything someone else does that builds on the storyline of Gail Burstyn, which I call chaptering, and this includes anything they do, since they are always at it, is legally my doing even though I knew nothing about it at all. This begins, sort of, with John Lennon. John Lennon was only arranged by the scriptwright of the Kennedy brother Snuff Films. It’s not the same thing, they extol loudly, but it is, they say again. Their jaws aren’t just double-jointed and their worm tongues forked.

A more familiar ingredient in the situation is the way that the NAACP moves in as heapist General and broker mate of McCartney, for their bizarre reasoning is perfectly obvious chronically. A white man kills a white girl THEREFORE they are the victim. A Black man appears to leave me evidence that Tupac was set up THEREFORE a white girl must pay. Princess Diana was killed by the jinx therefore Saoirse Kennedy compensated the British because she was a “white bitch,” and so on. That part is very familiar. When Duvall, a Black man, says that he knows AIDS was an attack and he supports it that couldn’t possibly mean that he helped bring Rosa in to the college where he works to go for my throat for trying to stop the Covid bomb before it was too late. Tensions mount when the support group at WQED, King Crimson and the NAACP (who supported a white Nazi named Zell because Shulman just hated Jimmy Creary) get snitched on for arranging a white military nurse to castrate Jimmy Creary because McCartney says Leslie Katz’ virginity proves rape and the NAACP agree because they used the idea as a pretext for home invasion pornography in a crime by Penis Gabriel, the honorary the African warrior and all the Black girls thought it was hysterical. A white castrates a white and Black girls start getting edgy that the jinx may cause Louis to twist his ankle. Sometimes it does. Take Donnie Chin for example.

Zell, a white Nazi, is honorary the African warrior because he helped Yoko Ono and Rosa Clemente make the case that Roberto Clemente would have blessed the rape of a deaf Korean orphan with Downs Syndrome and epilepsy in proof that Lennon collected swastikas as part of his sacred gibberers vow that he is a sacred the African Warrior! And so on. A Latino murdered Iowa Molly THEREFORE the Black Man is victim. You get the idea. They never bother with the niceties of fact and reality.