It was clear Dialectical UW had struck.  Aung San is so shifty you might call him or her the Walrus.   Let’s extrapolate the St. Patrick’s Eve massacre of massage parlor personnel in Atlanta, city of King’s Non-Violence Center, and the indexicality of Stephanie Cho who wrote the epistle of shame and duty.   We know the squalid parochial was so dirty and angry about sex out of wedlock that Karl and Ono formed a team, much as the Burmese massacre their own, in which the promotion of Neva Porno by the murder of Dr. King and the mutilation of a white served as a lesson in the AIDS attack to which the holy ones of Warhol went Foucault in higherness.   But why Stephanie?  We know why Cho?

      Because hehn, Stephanie got me to walk a long way to see her and then refused to answer the door leaving me hurt and knocking spastically for observation of the impacted neuroplasm that means the attackers GIT to set up Two Virgins Pussyball for Warhol kiddie porn black markets and Seattle Queers.  But Penis Gabriel’s Time Table shows that King Crimson was on hand to rollout on the stain of King’s murder.  They worked a time table as the letters they pinched.

      This is relevant to Davey Jones, Bowie’s schlickl-moniker, of Duquesne who introduced me to Stephanie and, get this one, Jocelyn.  So the idea that the staged and phony intercept by Penis and Shulman was Found Art is destroyed by the presence of Davey Jones’ locker for the Elders.  It’s just as I have said.  They staged it and advocated for Black people, just like the covid strategy.