Although the British waste no opportunity to catcall pornography through their most deadly circuits, Neva Corporation and the script are something like a John and Yoko production, based in London, a pyre built in the AIDS attack to demand double suicide services from the X-terminated.   The claim by the British that Mt. Desert Island was a demonstration project and conversation piece by Ringo Starr and Clint Eastwood is tragically limited by the magnitude of the evidence that the claim is a fraud. In other words, the attackers themselves know that they shouldn’t be allowed to get away with it.  My disappearance from school, my being called a fugitive by the State of Washington for attempting to escape child molesters all service the promotion of a crime by organized felons. Despite this terrorism from the Reagan age continuing to be used for acts of evil towards a deaf senior, the assassins are getting away with it by the scorpion sting that there was negligence in the murder of John Lennon, an idea that never was allowed into court because its author appears on the cover of records made by the accuser, a twist of Masterpiece Theater.  By ranting over and over this scorpion sting, the attackers cover the weakness in their argument that is clear from the fact that they are forced to deny that their storyline is a cover for the attackers. The government hides the only two possibilities: one that the Beatles are the production team hired by the murderers, the other, the truth, that they are the authors of the crime. Either way, they have been proven capable of nothing but evil.

       Underwriting this is an even more noxious travesty:  failure to warn. In 1984, I was contacted by attorneys for Warhol who were overjoyed with what they had already achieved in setting up the decoy operation.   One of them spoke of the whole being greater than the sum of its parts, whined that the population explosion never should have happened and put together the 911 attacks as though it was being done by heroes when in reality it was the same people who wrote the script, and who called me as promoters of the death of John Lennon storyline on Dec. 8, 1980, all of whom continue to work for the British.