Fear of Reality is in outline form and hence awkward for spacing. The reader is encouraged to copy and paste it into a browser for single spacing.

Thesis: The purpose of this paper will be to demonstrate consistency to the eerie way that

Hollywood represents the values of the American Constitution as their enemy in an effort to

brainwash the movie-going public into believing that the American system is controlled by their

enemies and recruit us to a vision of ourselves that serves the Axis. In other words, cinema is

part of what Peter Dale Scott calls a Plutonomy or economy of the plutocracy teaching people

the exact opposite of the truth. In the script of their totalitarian big show, known as the Story of

the Bird or Texas Schoolbook (being kept secret first as National Security by Reagan and then as

lewd property by Warhol’s Yoko Ono, Operation: Oregano) defining them backfires. The trick

is at once to convince the public that we understand and the suggestion we don’t is an insult,

while manufacturing the idea that the Kennedy Government, and the adjunct James MacRyland

Crary, designated hate object, is the enemy within, without allowing the audience of the received

idea to define what properties Crary’s selection implies for the symbolizers. According to the

magnate doctrine which we will call J, or the J Magnate Doctrine, Crary’s father Ryland’s

veteran status as a pedagogue of human rights voids his status as a descendant of Pilgrims. The

affirmation of non-violent lawfulness in turn negates the family’s service record in the nation’s

military since inception, according to J. America they say must prove their commitment to the

world government arranged by the Royal Plutonomy to amuse the notion of American validity.

The fact that Crary isn’t Jesus negates the idea that this is a Roman act of crucifixion. Crary

must think he’s better than Jesus, or at least John Lennon, drools the whimsy of the savage

attacker. In short, a symbolic American was abducted for human sacrificialism by Axis

Hollywood behind the murder of JFK and also the AIDS attack. By virtue of the powers behind

the operation, the other victims were coached to identify the murder of a torture victim as

execution of their enemy. South Africa’s Secret Service is really something. I get very tired of

them.

Introduction: New York City’s stupidity in failure to warn shatters all precedent and exposes

American Plutography as a mission of misleadership and installation candidacy as a criminal

expedient in Hitlerian suppression. All to the good that this is said to symbolize the spirit of

John Lennon, reports of whose death are evidently greatly exaggerated, making the text of The

Royal Society’s dirty the million dollar question they apply in their writings to the botanist

Linnaeus, what’s more important a good story or a true story. The fact that nothing about

Hitler’s revenge organized in the name of Holy War by King Edward is neither good or true is

negated by a Hollywood that has advance arranged trauma brokerage through bedlamites like

King Crimson while glamorizing, through studios like Sylvester Stallone, Hitlerian methods.

Body:

I. Getting the Enemy to think the opposite of the truth.

a. Deep Mesmerization

1. Harkin’s braying over a traitor’s heart

2. Harkening to Ultrahigh

3. The Ark of the Noah Plague

4. Barack Obama

A. Black-o-Franchise

B. Leni and Schugar Bear in Gutendorf

1. A bagful of black German swastikas touted as a sacred African

symbol.

b. Getting the Enemy to think they are the beneficiary

c. Getting the Enemy to support the Attackers’ celluloid martyr.

1. “Those Are Our Boys,” (Germans on the steps in Guns of Navarone0

2. Argentine Hollywood

A. Onassis

B. Ringo Starr

1. Hukanymics in symbolic keystar (Star/key/Gi/ster)

a. An exploration of Carrie Gister

b. Sylvester and Dixon

c. Sylvester and Arlen Specter

d. Did Saoirse Kennedy git n’yer goat, dogeyes?

e. Getting the Enemy to use the deaths of those who tried to save them for the Attackers’

ends.

1. Patton’s quote

e. Resenting American liberalism as an objective of a new tyranny.

f. Getting the Democratic Party to cover for J.

II. Moping Towards Heil the King.

A. Delegitimizing Harpers and King Crimson

1. Lapham: “Are you saying there’s something suspicious about you?”

2. Greg Karl: “The eye of suspicion falls on the foreign element.”

3. Japan ICH Viktum!

B. Cliff Richardson

1. PT-109

2. Outer Limits pilot suspended for Kennedy’s state funeral

3. Over the World Trade Center in a private plane on 911 to watch.

4. Outer Limits and the Warren Commission

5. Double Fantasy

a. The meaning of D and F.

C. Diamonda Galas

III. Today is Three Things - Mysterious comments of Gail Burstyn

a. Mitsui book on Winterton Street

b. Mittsu “three things”

c. Nobuko: Children of Hiroshima

d. Jimmy Creary: Children of the Enemy

e. Chronic symbolitry of deceit

1. Lucky N Dong

2. VW

3. Pho Bac

A. Vichy France, allies of Japan in Vietnam

B. Truncating Kennedy’s Legacy

C. Chow Yun Fat / Mi Yung Joo

D. Ming Na Wen’s psychopathic mind

E. Hollywood Stereotypes as bribe and mob incitement

IV. Liverpool

a. Confederate Secret Service

b. Oswald Mosley

c. General Edwin Walker

d. Marcus Garvey

e. Leni in Africa

f. Nyaguna Kabugi

g. Youssou N’dour

V. Saul Astor and Japanese Exclusion Acts

a. Pearl Harbor

b. The Black Ships

c. 911

d. Andrew Cho and UW Sociology

VI. The Shadow Knows

a. The hand behind the curtain.

b. 1st blood minions

c. Tyranny and domination as a schtick of CMU and Pink Floyd

d. Ruby and the Rubicon of the Fuhrenwretches

Conclusion: Trashing a person in severe neurological suffering who is in the grip of multiple

infirmities is considered normal by the Community College of Allegheny County in Two Virgins

Race Pussyball clocked to cover for the AIDS attack. Hollywood is the problem.